Jumat, 08 April 2011

Friday Jesus on the Mainline Blogging

Paul Harvey

Thanks to blog reader Chip Callahan, a little musical joy for your Friday, via Ry Cooder and David Lindley, some live "Jesus on the Mainline," from the New Orleans Jazz Festival in 1994. Maybe it will restore a bit of your spirit as it has mine. When I call Jesus up to tell him what I want, I think it would be to have the House Republicans not shut down the government just because they want to deny health care to women. Is that too much to ask? (And, don't miss Heather Cox Richardson's narrative of a similar governmental shutdown debacle in 1879, again due to pet project riders, an unwelcome bipartisan tradition in Congress).

Kamis, 07 April 2011

Glenn Beck and Paul Revere: The Two Horsemen of the Apocalypse Retire

Paul Harvey

I know many of you were SO excited last Friday when you saw that Glenn Beck had signed up to be a contributing editor here. Well, a lot has changed in the last week. As you doubtless know, Beck's show on Fox is coming to an end a bit later this year. But much more importantly than that, he is resigning from being a contributor to RiAH. So sad, but we'll wish him all the best. He sent along this explanation for both actions to the Wall Street Journal (sorry, not sure if this is a free link or behind a paywall, but here's the money quote):

Beck said he took a job at Fox News two years ago because he felt “if I could prove my case that something wicked this way was coming, something in America was wrong, America would listen, and they have.”

Beck said that Paul Revere “got off the horse point at some point and fought in the revolution and then he went back to silversmithing.” “I believe we’re heading into deep and treacherous waters,” Beck said about America”s future. He said he is developing other content for Fox for TV and other media. “I will continue to tell the story and I’m going to be showing you other ways for us to connect. But I have other things to do.

"Fox is one of the only places you'll find the truth. Spread the word," he said in concluding his remarks announcing the end of his show and the end of his RiAH contributions. Unlike Paul Revere and his Raiders, Beck is not actually returning either to silversmithing or to producing classic early 70s AM hits such as "Cherokee Nation," but reportedly back to other television shows, probably through his own network.

For a full-length analysis of this new development in religion, consumerism, and the media, I have only one question: Where have you gone, Kathryn Lofton, a nation turns its lonely eyes to you (and more seriously just for a second, the link takes you to a wonderful observer-participant reflection posted at Immanent Frame on K. Lofton's Oprah: Gospel of an Icon, by Daphne Brooks of Princeton University).

But back to our story, here is the video announcing Beck's change of plans:



For those who want a reprise of pretty much all of the major themes that Beck has followed in his pursuit of truth, you can find them here, channeled through Jon Stewart (ht John Fea):

Rabu, 06 April 2011

Jonathan Walton Speaking at ENC

Randall Stephens

Jonathan Walton (Assistant Professor of African American Religions, Harvard Divinity School) will give a public lecture on "The Preachers' Blues: Reclaiming Authority on Wax," Wednesday, April 13, 4:00pm, Shrader Lecture Hall, Eastern Nazarene College, Quincy, MA.

Walton, a social ethicist and African American religious studies scholar, is the author of Watch This! The Ethics and Aesthetics of African American Religious Broadcasting (New York University Press, 2009) a groundbreaking study on religion, media, and theology. Cornel West (Princeton University) describes the book as "the best work we have on the complex dynamics of the Black megachurch phenomenon. Walton is a brilliant cultural critic and courageous prophetic voice!" James Cone (Union Theological Seminary) lauds Watch This! as "An important examination of the Black Electronic Church. Jonathan Walton brings new insights into the major TV evangelists in the African American community."

Professor Walton will speak at ENC on the history of the religious "race" record industry and the the cultural ethos and competing ethical values of black Christian communities during the 1920s and 1930s. Like all forms of mass culture, says Walton,

religious records served multiple purposes and were interpreted by listeners at varying registers. For many, religious recordings were spiritually edifying and liberating, just as they were wildly entertaining. Critics have show that these religious recordings contested the aesthetic values of the black middle class even as they reinforced bourgeois behavioral codes. By turning our attention to the shared interests of male preachers and the recording industry, I describe how sermons stressing personal piety and culturally familiar stereotypes shaped cultural debates concerning the style, content, and purpose of evangelical preaching in the 20th century.
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