Tampilkan postingan dengan label pentecostalism. Tampilkan semua postingan
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Senin, 17 Oktober 2011

Dominionists on the Loose

by John G. Turner


Many news websites are running a wonderful piece by the Associated Press's Rachel Zoll about a segment of American evangelicalism / Pentecostalism. It features the commentary of our own Randall Stephens and also incorporates analysis from Anthea Butler and C. Peter Wagner. Among the article's observations:

These preachers believe demons have taken hold of specific geographic areas, including the nation's capital. They also promote a philosophy of public engagement known as the "seven mountains," which urges Christians to gain influence in business, government, family, church, education, media and the arts as a way to spread righteousness and bring about God's kingdom on earth. The language seems close to dominionism, the belief that Christians have a God-given mandate to run the world.

This is the sort of thing that apparently keeps journalists and some secular Americans up at night. Nothing like fear of the theocrats. One could frighten many residents of Boston or New York this Halloween by dressing up as Michelle Bachman. Heck, they'd probably run away from Joel Osteen, seeing some sort of sinister plot in Osteen's "Every Day a Friday" slogan. Actually, that terrifies me as well to a certain extent. I haven't read Osteen's book, but I have sometimes found value in other days of the week, not to mention the weekend. Osteen is most likely targeting fans of casual office wear with his latest offering.

Zoll, with the help of Stephens and Butler, mostly dismisses the recent furor over dominionism:

Randall Stephens, a professor at Eastern Nazarene College in Quincy, Mass., who researches Pentecostals and politics, called warnings of a conservative Christian plot an overreaction. "I think this is a rabbit hole people fall down and it has a whiff of conspiracy," Stephens said.

I agree. While there are some theocrats out there, I doubt Bachman or Rick Perry is one. When in Boston in August, I noticed that the Globe, rather desperate in its efforts to feed the fears of its readers, carefully noted that Bachman had hugged an Obama birther at a campaign event. Likewise, Rick Perry has shared the stage with some crazy religious nuts. That doesn't make him one. But if he can't rip Mitt Romney to shreds on the issue of health care, he probably doesn't stand much chance of imposing a theocracy on the United States anyway.

It's always good reading when journalists discover whiffs of dominionism on the campaign trail every few years, but this is very old news. Bill Bright and many other evangelicals talked about "capturing" or "retaking" government, the entertainment industry, and higher education back in the 1970s. These spheres of American life were not yet mountains. Such evangelicals were alarmists, but most were not theocrats. If anything, I think most evangelicals are much less self-confident about the potential for their political influence today than three decades.

The 2012 GOP race has been good for our blog thus far. If only Herman Cain had decided to go with a 6-6-6 tax reform plan.

Rabu, 22 Juni 2011

Rock around the Pew

Randall Stephens

For those of you who work at the intersection of southern history, religion, and music, the H-Southern Music email list just might be for you. I recently posted a question to list members and got some great feedback.

I asked about the work I'm doing for a chapter/article on the interconnections of early rock music and revivalistic religion/hot protestantism/pentecostalism . . . etc. (I wrote a little about this in the last chapter of my book The Fire Spreads, but I'll be exploring this in much greater detail now.) I asked list members about sources--primary or secondary . . . interviews, archives, what have you--that they could suggest. Here are a few of the items that I have found useful mixed in with those that I only learned about through the suggestions of list members (in no particular order). Anything else to add?

Walt Trott and Bill Carlisle, Sister Sunshine: The Martha Carson Story (1st Books Library, 2000)

Macel Ely II, Ain't No Grave: The Life and Legacy of Brother Claude Ely (Dust to Digital, 2010)

Lynn Abbott, I've Got Two Wings (Casequarter, 2009)

Rodney Crowell, Chinaberry Sidewalks (Knopf 2011)

Russ Cheatam, Bad Boy of Gospel Music: The Calvin Newton Story (University Press of Mississippi 2003)

Joe Moscheo, The Gospel Side of Elvis (Center Street, 2007)

Vestal Goodman with Ken Abraham, Vestal!: "Lord, I Wouldn't Take Nothin' for My Journey Now" (WaterBrook Press, 1999)

Bob Terrell, The Life and Times of J.D. Sumner: The World's Lowest Bass Singer (Daywind, 2009)

David Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (UNC Press, 2011)

Gayle Wald, Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe (Beacon, 2007)

Jamie Buckingham, O Happy Day: The Happy Goodman Story (Word Press, 1973)

Jerma Jackson, “Sister Rosetta Tharpe and the Evolution of Gospel Music,” Religion in the American South: Protestants and Others in History and Culture, eds. Beth Barton Schweiger and Donald G. Mathews (Chapel Hill: University of North Carolina Press, 2004)

Paul Oliver, Songsters and Saints: Vocal Traditions on Race Records (Cambridge: Cambridge University Press, 1984)

Stephen R. Tucker, “Pentecostalism and Popular Culture in the South: A Study of Four Musicians,” Journal of Popular Culture 16 (Winter 1982)

Jimmy Wayne Jones, Jr., “Modern American Pentecostalism: The Significance of Race, Class, and Culture in Charismatic Growth, 1900-2000” (Ph.D. diss., University of Arkansas, 2002)

Johnny Cash, Man in Black (Grand Rapids: Zondervan, 1975)

Tammy Wynette with Joan Dew, Stand by Your Man (New York: Simon and Schuster, 1979)

Charles Sawyer, The Arrival of B. B. King (Garden City, N.Y.: Doubleday and Company, Inc., 1980)

Myra Lewis with Murray Silver, Great Balls of Fire: The Uncensored Story of Jerry Lee Lewis (New York: William Murrow and Company, Inc., 1982)

Charles White, The Life and Times of Little Richard: The Quasar of Rock (New York: De Capo Press, 1994)

Vince Staten, The Real Elvis: Good Old Boy (Dayton, Oh.: Media Ventures, 1978)

Van K. Brock, “Assemblies of God: Elvis and Pentecostalism,” Bulletin of the Center for the Study of Southern Culture and Religion 3 (June 1979)

James R. Goff, Jr., Close Harmony: A History of Southern Gospel (Chapel Hill: University of North Carolina Press, 2002)

Peter Guralnick, Last Train to Memphis: The Rise of Elvis Presley (Boston: Little, Brown and Company, 1994)

Nick Tosches, Hellfire: The Jerry Lee Lewis Story (New York: Grove Press, 1998. I'm using this one for my fall 2011 course on the history of rock)

Ann Rowe Seaman, Swaggart: The Unauthorized Biography of an American Evangelist (New York: Continuum, 1999)

Jimmy Swaggart, To Cross a River (Plainfield, NJ: Logos International, 1977)

Jumat, 06 Mei 2011

Ain't No Grave: The Life and Legacy of Claude Ely

Paul Harvey

Here's a great radio story, courtesy of Radio Diaries and NPR, about the Rev. Claude Ely, Holiness/Pentecostal exhorter and singer from Kentucky and author of the classic "Ain't No Grave Gonna Hold My Body Down." Johnny Cash's recording of the song just before he died, and a huge internet mashup done to that recording, was the subject of a post of mine some time ago. A brief excerpt from the transcript of the radio show:

People would show up to revivals because they had heard about this country singer who sang like a black man. Brother Claude Ely would thrash his guitar, shake and gyrate from one part of the stage to the other. Young men would run up to wipe the sweat off his forehead.

Gladys Presley, Elvis' mother, was a fan of Brother Claude Ely's ministry, and some people remember Gladys and Elvis getting blessed at Brother Claude Ely tent revivals while Brother Claude Ely laid hands on them and prayed for them.

This story comes from the efforts of Macel Ely, Brother Claude's nephew, who encountered his uncle's music while traveling in Europe, and wondered how it found its way there. Evidently he is producing a full-length documentary on the subject. You can hear Ely's rendition of his song along with some photos here, and a CD compilation of Claude can be found here.

A final note: somehow those who prattle on about NPR's "liberal bias" somehow never get around to talking about stories like these, which took up most of the last segment of yesterday's show from that dreaded bastion of left-wing propaganda, All Things Considered -- never mind all the locally produced reporting such as the programs about Colorado which I have written about here, and the programs about the Ozarks which John Schmalzbauer has written about for Immanent Frame here.

Here's some more information on Macel Ely's book which came from his efforts to find out about his uncle's widespread influence, Ain't No Grave: The Life and Legacy of Brother Claude Ely (published by the wonderful Atlanta outfit Dust-to-Digital, compiler and publisher of the peerless six-CD set Goodbye, Babylon, and many other musical classics).

Ain’t No Grave: The Life and Legacy of Brother Claude Ely is written as an oral, biographical history taken from the recorded interviews of more than 1,000 people in the Appalachian Mountains who knew Brother Claude Ely. Coined as the King Recording Label’s “Gospel Ranger,” Brother Claude Ely was well-known and loved by many in the earlier part of the 20th century as both a religious singer-songwriter and a Pentecostal-Holiness preacher. Few people, however, knew the personal details of his childhood, military service, and years of hard work in the coal fields of southwestern Virginia.

Now, decades after his legendary death, many fans still seem mesmerized and touched by this humble man’s quick wit and sincere desire to share the Gospel’s “Good News” with everyone who would listen to his message of hope and love. Having received popularity for his song, “There Ain’t No Grave Gonna Hold My Body Down,” Brother Claude Ely passed along a musical and spiritual influence which can still be heard today like a mountain echo in those long, winding hollows and impoverished coal fields. Hollywood and the “King of Rock and Roll” also later acknowledged their admiration for and fascination with the late Brother Claude Ely. This book chronicles the life of one man who made an eternal impact on thousands of Appalachian dwellers. His simple sermons and folkloric songs are still providing assurance, hope, and faith to many mountain people

Jumat, 19 November 2010

Holy Jumpers, Batman!

Paul Harvey

One more review of interest from Choice for you. For whatever reason, I had never heard of (or maybe I just forgot about) the Metropolitan Church Association, but they seem to fit into the kinds of cantankerous enthusiasts that Randall wrote about so memorably in his book The Fire Spreads. Anyway, perhaps some of you will want to check out this fun-looking book, below:

Kostlevy, William. Holy jumpers: evangelicals and radicals in Progressive Era America. Oxford, 2010. 240p bibl index afp; ISBN 9780195377842, $65.00. Reviewed in 2010dec CHOICE.
Based on extensive archival research, Holy Jumpers presents a significant study of the Metropolitan Church Association (MCA; "Burning Bush"), a radical faction of the holiness movement. Kostlevy (Tabor College) balances the MCA's utopian vision with its fanaticism and disruptive strategies, revealing a story of conflict in pursuit of harmony. Rejecting the conservatism of the National Holiness Association, the MCA embraced a faith for the new world of the 20th century that included holiness, communalism, premillennialism, and faith healing. Kostlevy commendably situates the MCA within other radical expressions of the Progressive Era, including populism and the Industrial Workers of the World. Known for their demonstrative worship characterized by extreme physical exercises, MCA adherents fostered divisions within families and communities, and frequently provoked violence and legal action. Using modern media with sensational content, the MCA censured and rejected almost all other denominations. Most importantly, the MCA played a decisive role in the Azusa Street Revival of 1906-1909 and the emergence of Pentecostalism. Summing Up: Highly recommended. Upper-level undergraduates through faculty/researchers. -- B. W. Hamilton, Northeastern Seminary
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