Tampilkan postingan dengan label christian kitsch. Tampilkan semua postingan
Tampilkan postingan dengan label christian kitsch. Tampilkan semua postingan

Jumat, 21 Januari 2011

Going Straight to Hell on a Crazy Train

By Michael J. Altman

Combining Paul's post of a Sarah Palin version of a classic song and Kelly's post about zombies, I bring you the best parody of Ozzy Osbourne ever. This comes courtesy of Westboro Baptist Church, the church that loves Jesus but probably hates you:




That's right, WBC is protesting Ozzy Osborne--a few decades late, if you ask me--making it official: "God hates Ozzy Osborne!"

Rabu, 19 Januari 2011

Battle Hymn of the Palin

Paul Harvey

Ok, enough already with the Battle Hymn of the Tiger Mother; this one is more interesting. I normally leave this kind of stuff to Randall, our resident analyst of Christian kitsch, but it's mid-week in January, all of my teams are out of the playoffs, and I needed some cheering up. Also, the male singer here has a very nice, resonant George Jones-quality to his voice, and there's no bigger fan of George Jones than me (listen to the second line, "ingrained with common sense"; that's some pure Jones musical intonation there). As for the lyrics, well, this is not Stephen Sondheim, but what can you do?


Minggu, 05 Desember 2010

Noah's Ark, the Theme Park: Tomorrow Never Knows


Paul Harvey

Only the sly wit of Randall or the acerbity of Matt Sutton could do justice to this story: Noah's Ark, the Theme Park.

Kentucky, it appears, has "promised generious tax incentives to a group of entrepreneurs who plan to construct a full-size replica of Noah's ark, load it with animals and actors, and make it the centerpiece of a Bible-based tourist attraction called Ark Encounter." Like I said, Randall will have to write another chapter of his new book The Annointed: America's Evangelical Experts, which already features one chapter on the creationist museum just 45 miles away from the proposed Ark theme park in Kentucky, to explain this new story to us.

The developers of Ark Encounter, who have incorporated as a profit-making company, say they expect to spend $150 million, employ 900 people and attract 1.6 million visitors from around the world in the first year. With the Creation Museum only 45 miles away, they envision a Christian tourism corridor that would draw busloads from churches and Christian schools for two- and three-day visits.

The bulk of the story focuses on the relationship of the theme park to a series of tax incentives given to its part-owner, Answers in Genesis. Tea-Partiers: where are you now? Here is your Exhibit A of government subsidies run amok. Evidently, though, they are too busy bitching about an 11-second video of a cross with some ants crawling on it, intended to depict the sufferings of AIDS victims, that was part of a larger installation up at the National Portrait Gallery -- I say "was" because it's been taken down. Check your empathy at the door. Oh, never mind, don't even go through the door, since the firestorm of criticism about the exhibition came from those who had not seen it (those who had seen it registered virtually no complaints). Thanks, Speaker Boehner, for focusing on the big issues of the day. Read/hear more about this story, including a slide show of some of the pieces in this installation, here.

But back to the Ark Park. One thing about the park will be cool: it will explain how Noah dealt with issues of "waste management" on the boat. When I was a kid, I spent a lot of time wondering about that very issue.

The park is facing some "rough waters" around issues of separation of church and state, as reported here. The secular/scientific libertarians are all over the story here. Most amusingly of all, though, the Los Angeles Times story, intending to hyperlink its reference to the group Answers in Genesis, instead provides a link to Genesis, the Phil Collins musical group. Come to think of it, Genesis actually did a pretty credible version of the Beatles' song "Tomorrow Never Knows." Like the Beatles sang, "it is believing. It is believing." Of course, they also sang "I am the walrus, coo-coo-coo-choo." Were walruses on the ark?

Minggu, 28 November 2010

Jesus is My Friend

Randall Stephens

Hat tip to my co-author Karl Giberson for pointing me to this great video. If this is not already on-line at Christian Nightmares, it should be. The song and video is proof that reggae is not for everyone.

Selasa, 24 Agustus 2010

From the Record Bin: Your Gonna Love Your New Life

Randall Stephens

So here's a find a got from an Emporia, Kansas, thrift shop back in 1995. I've held on to this record, called John 15:13, by the Christian Sons, for ages now. It's perfect pitch early 1970s, evangelical awesomeness. (If I remember right, the Christian Sons were an Assemblies of God, soft rock group from Colorado that didn't want to push it into full-throttle Jesus People freakiness.)

Back when I picked the album up and dusted it off it further confirmed what I thought about a certain strain of evangelical pop music from the 70s and 80s. It seems that many evangelicals were seriously into the Carpenters, John Denver, Bread, Captain and Tennille, and a few other icons of the shag carpet and pleather years. The Nazarene church I attended in Olathe, Kansas, featured gospel quartets and more college-friendly stuff, what passed as "young people's music," I guess. The Christians Sons fit into the latter category. They were really small time when compared to contemporary Christian soft rock icons like Honeytree, 2nd Chapter of Acts, or the Archers. But still, they had their charms.

Hear song here.

The song, "Your Gonna Love Your New Life," written by one Phil Johnson, is a greeting to a new convert. "Let me be the first to shake your hand," croon the Christian Sons, "and tell you that this life is really grand." Stilted, yes. Weird, you betcha. Fascinating, without a doubt.

People will hear a song like this today as nothing more than Christian kitsch. Like something piled on to that mountain of Jesus junk that Colleen McDannell scaled in her amazing Material Christianity. But I have to remind myself that music like this really did speak to believers of a certain frame of mind in a certain era. It was exciting, new, and cheery. It thrilled the youngsters in churches who were stoked to see and hear drums in church. Born-again Christians could have fun, and, sorta, rock out, too.
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